The Best Sound of Bali (Part 2) CD
£10.80 (inc VAT)
Age 4 - 18+
- L 14cm x W 13cm x H 1cm
- Stock: 6
Track 1: Gita Kusuma Tabuh Kreasi Baru Gong Kebyar (9:20)
Gamelan Gong Kebyar is the most popular ensemble in Bali. This Gamelan is played in temple ceremonies and other ceremonial occasions. The Gita Kusuma Gong Kebyar is characterized by discontinuities in tempo, dynamic, metric period, and orchestration. Melodic and rhythmic pattern, often comprising complimentary interlocking parts, are developed to a remarkable degree of intricacy.
Track 2: Sekar Sungsang Gender Wayang (6:02)
The quartet Gamelan ‘Gender Wayang’ are four metallophones, consist of a pair ten-key Slendro-tuned in a medium register an another pair is tuned higher. The musician used two mallets in his left and right hand to play independent parts. Gender Wayang is usually played to accompany Wayang Kulit performances. It is also performed in tooth-filing procession and cremation ceremonies.
Track 3: Sekar Jepun Gamelan Rindik (8:02)
Gamelan Rindik is also known as Gamelan Joged Bumbung. Rindik is an instrument made of tubes of bamboo which were cut off at the tip to make beautiful sound. Rindik Joged is tuned to a Slendro scale and played with two rubber-tipped mallets. It is usually performed in a Joged (social dance) performance and freely played in a wedding party as well.
Track 4: Jiwa Merta Balaganjur (18:53)
Gamelan Balaganjur is a processional ensemble consisting of a variety of hand-held Gongs, small tuned Kettle Gong, eight pairs of Crash Cymbals (Ceng Ceng Kopyak), and two large drums (Kendhang Lanang and Wadon) played by twenty five musicians. Balaganjur music takes root from a standard formal structure, or Tabuh, known as Gilak. Gilak is an eight-beat Gong cycle that normally repeats continuously throughout an entire Balaganjur performance. Jiwa Merta or the soul of prosperity is a new creation composed for a Balaganjur competition.
Track 5: Katak Ngongkek Genggong (5:37)
Gamelan Genggong is one of the traditional Balinese music based on an instrument called Genggong, also known as Jaw Harp. Gamelan Genggong consists of many different kinds of percussion instruments such as Kendhang (drum) as a leading tempo, Tawa-Tawa (Boss Gong) as a time beater, Klenang (Kettle Gong) as the alternate time beater, Rincik (a set of small Cymbals), Guntang (Slating Bamboo instrument) as punctuation instrument and Gong Pulu (a pair of bars with box resonators). The song Katak Ngongkek is an instrumental peace which describes a group of frog making sounds at the nightfall.
Track 6: Baris (Warrior’s Dance) Legong (9:40)
Gamelan Gong Kebyar is the most famous Gamelan in Bali nowadays. It is played in temple festivals and for other ceremonial processions. Since the debut of the Kebyar master, I Mario, a lot of new compositions are created. This Baris Dance is a solo warrior dance describing the braveness and charisma of a Balinese soldier.
Track 7: Ogoh-Ogoh Balinese Popular Song (5:04)
Some young Balinese musicians form local bands that played pop music genre without losing local Balinese identity. There are some groups try to create a truly indigenous Balinese pop songs based on a combination of traditional and popular music. Among the local pop music in Bali, the song called Ogoh-Ogoh is a song depicting the image of giant statues during the procession of Nyepi (secluded day or Balinese New Year).
Track 8: Peguneman Gamelan Jegog (8:13)
Comes from the western part of Bali, Jembrana, Gamelan Jegog is an interesting Gamelan made of bamboo. This ensemble made from larger and richer sonorous bamboo, combined with big drum taken from Gong Kebyar. It is primarily played for Makepung festival (bull race festival). During the festival, competition among Gamelan groups is held to demonstrate their skill and stamina. The winner is the group that survives to play the longest of period. The song Peguneman is a typical opening song to introduce the scale at the beginning of the performance.
We work with a small number of specialist logistic companies to deliver your order quickly and economically. The delivery method varies, depending on your location and the size of the order, as follows:
Orders up to 5kg – Courier 2 to 3 working day delivery. This would typically include books, smaller instruments, percussion baskets and djembes up to 40cm.
Orders over 5kg – Courier, next working day delivery. Most orders are sent this way.
Large orders – Pallet service, 3 to 5 working day delivery. Used for large orders and those with more fragile contents.
- Above timings are from dispatch date. Time from placing your order will usually be one or two days longer, depending on the order and destination.
- Delivery to offshore or Highland addresses may take longer and may cost more than to UK mainland addresses and we’ll quote and agree the costs with you in advance. Please note that in these cases it’s fine to go ahead and place your order, and there’s no obligation on your part until the delivery costs have been quoted and accepted by you.
- For some destinations, where a courier service isn’t available, we may send by Royal Mail instead.
Orders weighing less than 1kg and not too bulky – Post Office Airmail. This would include books and smaller percussion instruments.
Orders weighing more than about 1kg and large orders – international courier or pallet service. We’ll obtain competitive quotes and agree these with you in advance.
Please note that it’s fine to go ahead and place your international order prior to confirming shipping costs, and that there’s no obligation on your part until the delivery costs have been quoted and accepted by you. Payment for international orders, including shipping costs, is required before dispatch of the goods.
Please let us know straight away if anything arrives damaged or otherwise in a substandard condition and we’ll be happy to replace it, refund the cost or provide you with an alternative product to your satisfaction. Speed is of the essence here as most courier companies will only accept responsibility for damage in transit if the damage is reported within 24 hours of delivery.
In the event of damage, please take photographs, including any damage to the packaging, and email these to us ASAP.
Similarly, if an instrument develops a fault within 12 months of purchase in the course of normal use (though excluding fair wear and tear), please let us know, and we’ll replace it or refund the cost. It’s also very helpful for us to see photos of the issue as this gives us solid information for changing the design, the production method or the packing materials.
But please do contact us before returning any damaged or substandard items. Once we’ve approved their return, please send to: Drums for Schools Limited, 21 Shaftesbury Avenue, Burton Joyce NG14 5GL
We really appreciate your feedback in the case of faults (or if you think an instrument could be improved in any way) and we take all such feedback very seriously indeed.