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The Barong Dance of Bali: The Dance Drama of Singapadu Village CD | Classical Gamelan of Bali (Tabuh Lelambatan Klasik) CD | The Best Sound of Bali (Part 1) CD | The Best Sound of Bali (Part 2) CD | ||||||||||||||||||||||||||||||||||||||||||||||||
This is the original live recording CD of the Gamelan ensemble that is played as the background music of the Barong Dance of Bali. It is recorded at Singapadu Village - Bali. Track 1: Prologue (16:06) Barong: The Sacred Lion Baro... | Track 1: Tabuh Telu Lilit Tabuh Telu Lilit means people are very interested (Lilit means to bind) to hear this piece of Gamelan. This piece is marked by one cycle that consists of three (Telu) Kempur beats (one strike of Gong, followed by three strikes of Kempur, and so ... | Track 1: Ramayana (10:42) It is the new form of Ramayana called Sendratari (modern dance drama) which was first performed in 1965. The story is based on Ramayana accompanied by gamelan Gong Kebyar. Track 2: Kecak! Cak! (13:05)... | Track 1: Gita Kusuma Tabuh Kreasi Baru Gong Kebyar (9:20) Gamelan Gong Kebyar is the most popular ensemble in Bali. This Gamelan is played in temple ceremonies and other ceremonial occasions. The Gita Kusuma Gong Kebyar is characterized by discontinuities in tempo, dynam... | ||||||||||||||||||||||||||||||||||||||||||||||||
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The Best Sound of Bali (Part 3) CD | Dancers of Bali: Part 1 CD | Dancers of Bali: Part 2 CD | Kecak Dance of Bali CD | ||||||||||||||||||||||||||||||||||||||||||||||||
Track 1: Gamelan Balaganjur, Banjar Bindu Mambal, Badung (10:22) Gamelan Balaganjur is a processional ensemble consisting of hand-held Gongs, small tuned Kettle Gongs, eight pairs of Crash Cymbals (Ceng Ceng Kopyak), and two large drums (Kendhang Lanang and Wadon) played... | Track 1: Panyembrama (Welcome Dance) (7:50) Panyembr ama is a recently-created welcome dance based on Rejang dance. Panyembarama (greeting) is always given at the beginning in a dance performance. Tr ack 2: Legong Kraton (Legong... | Track 1: Puspa Wresti Dance The Balinese have their own way to welcome their guest of honour. The Puspa Wresti dance, for instance. It was originally a dance depicted a heroic spirit of husbands and wives looking for justice. The word Puspa Wresti comes from the word Pus... | Track 1: Act 1 Sita has sent her husband to try and capture the golden deer, unaware that it is really Rawana’s prime minister in disguise. Soon, a cry of help is heard and thinking it to be Rama’s voice, Sita asks Laksmana to go and see what is the matter. Reasoning tha... | ||||||||||||||||||||||||||||||||||||||||||||||||
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Music and Dance of Bali in Performance CD | The Best Music of Bali CD | The Best of Gamelan Slonding CD | Dancers of Bali: Pelegongan Gaya Peliatan, Ubud 2 x DVD | ||||||||||||||||||||||||||||||||||||||||||||||||
Track 1: Sekar Jagat Dance (1993) This welcome dance (means Worldly Flower) is performed by a group of girls carrying a bowl of flowers known as Canangsari. The happiness of the dancers in welcoming the guests is represented through the beautiful and energetic movements ... | Track 1: Barong Dance The Barong and Rangda dance rivals the Kecak Dance as Bali’s most touristic popular dance. It tells a battle between goodness, represented by the Barong, and badness, represented by Rangda. Track 2: Kecak... | Track 1: Saih Puja Semara Saih means mode or scale. Puja means to pray. Semara is God of Love. So, Saih Puja Semara means that the mode used in this piece is a pray to the God of Love. Track 2: Gending Rejang Renteng&nb... | Legong Bapang Lasem This is one of the variations of Legong Lasem from Peliatan, danced by senior dancers from the sixties, which shows the dynamic movements of the Bapang part. The first dancer, Condong, is followed by two Legong dancers who act as the King of Lasem and... | ||||||||||||||||||||||||||||||||||||||||||||||||
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